![]() ![]() A brief conversation with Native Instruments's sales representatives informed me that their educational pricing is half of the list price, unfortunately making it fairly expensive for use at multiple stations. ![]() Reaktor 3 is used worldwide by many recording and performing musicians, and although much of its use is geared toward popular or dance music production, I believe it could be a feasible learning environment for teaching software synthesis. I believe that this structure lends itself very well to helping a new user understand basic synthesis, or to help a student bridge the gap between using hardware synthesizers and understanding computer-based synthesis. When opening an individual object, you also specify this object's behaviors and its appearance in the front panel. In this environment, you place the available objects or modules, and draw patching lines between their inputs and outputs (see Figure 6). A double-click on the face of an instrument brings up its structure: here is where you manufacture the instrument. In Reaktor 3, a patch or instrument is always represented on two levels: the front level is a GUI panel that mimics a machine interface, where the controller knobs, buttons, and sliders live, as well as any scopes (see Figure 5). Len Sasso's Reaktor 3 Guide, written for Wizoo, is the appropriate how-to manual to fill in the gaps and get the user started on the road to creating their own instruments. The manual that comes with the application contains some how-to information, but its strength is that it holds a large reference compendium of the available objects, their functions and uses. As such it is a very large collection of tools that allows the user to build their own synthesizers, sample manipulators, sequencers, and effects processors, utilizing a vast array of pre-made modules and objects as building blocks. From authentic emulations of classic gear to bizarre, otherworldly creations from the conventional to the controversial REAKTOR delivers.Reaktor, Version 3, is Native Instruments's premiere software synthesizer. The wide range of sequenced instruments and drum machines lets you create dynamic rhythms, melodies, chord sequences and more. ![]() The stunning array of synthesizers delivers everything from rumbling basses to searing leads and beyond. Powerful samplers allow far reaching granular resynthesis and the innovative effects pave the way for profound sound manipulation. REAKTOR 5 is equipped with a vast library of more than 20 impressive and innovative instruments. Whether you are using the instruments from the library or creating your own, the only limit is your imagination. Due to the open engine architecture, the potential for building your own highly individual instruments is endless. Musicians, producers and sound designers are all catered to by the very broad range of instruments and sounds already included. The Fusion of Synthesis, Sampling, Effects and Sequencing REAKTOR 5 fuses all audio applications into a single, extremely versatile and powerful tool. Advanced users will be continually challenged by the freedom to create new and exciting sounds, though. New users should look to Reaktor Sessions, which focuses on being a software instrument rather than a development environment for creating your own modules. While Reaktor is mind-blowing, it does have a pretty steep learning curve. By creating objects, defining a set of parameters, then linking a whole series together, you can create a sampler, or a delay effect, or whatever you like. It works well with a host program via VST 2.0, Audio Units, and DXi plug-ins or as a standalone application via ASIO or Core Audio. Loading up any of the modules and playing with them for a few minutes quickly gives you an idea of how versatile this program can be. The sound quality of the demo modules is breathtakingly dense and clear. Reaktor sports a clean layout with a whole gaggle of knobs, sliders, and buttons. Using that model, Native Instruments' Reaktor gives you the ability to dream up and piece together your own Frankenstein synths, samplers, and effects. If there were an audio equivalent to Legos, it would be modular synthesis. ![]()
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